It feels odd having finished the short memoir pieces, at least for now. I feel almost an emptiness, not entirely unpleasant. It just feels as though I’ve lost my direction somewhat. There’s plenty more to write about, and things I omitted from my story. I’ve only hinted at my childhood or occasionally included some flashbacks, but I didn’t start from the beginning. My early years were harder than the later ones and harder to write about. I have very few memories from the years I lived with my birth family, and the ones I do have are mostly unpleasant. Anyway, I’ve previously written short memoir pieces about some of those memories. The CD I released in 2014 had spoken word memoirs recorded, one for each song. Although, I won’t record them this time, maybe it’s time to tell you a little bit about the songs in the new CD.
Deep Ellum Blues:
I first heard this song played live by The Dead at an acoustic show in Connecticut. It must have been sometime in the late 70s. Paul was a more dedicated Deadhead than I was and insisted on going to every show he could. We didn’t have much money and could usually only afford one or two shows a year. I liked seeing a variety of bands, but I usually deferred to Paul because he was so enthralled with The Dead. That year, he had heard a rumor that they were coming to the East Coast, so he went to a ticket agent to find out. There were no dates announced yet, but the agent promised to let Paul know as soon as any information was released. We waited and waited until finally one day, we got the call. There four tickets available for a show in a small theater in New York City. The agent didn’t know exactly where the seats were, but he insisted they were good ones. He also had two tickets for show in New Haven, Connecticut and didn’t know anything about that show either. He apologized and explained that he wasn’t used to getting rock and roll concert tickets. The New York tickets were pretty expensive for that era, but we took them as well as the two for New Haven. We thought we could easily get rid of the two extras. Boy, were we wrong! No one wanted to buy pricey tickets for mystery seats. We thought we were going to be stuck with them until finally a friend of a friend scooped them up. He was so excited to get these sold-out tickets, he even offered to do all the driving and get us high all night in exchange.
Finally, came the day of the show. I had arranged for a sitter to watch our daughter, and Paul had miraculously managed to get the night off from work. Then, late in the afternoon, I got a call from Paul saying that he had to stay late at work and wasn’t going to make the show after all. He was devastated. Our sitter was also a Deadhead, so Paul suggested that I find someone else to watch Jessie and ask Debra if she wanted to come to the show with me. Of course, she jumped at the chance, so I got my mom to keep our daughter overnight. This was a rare occurrence. Mom was not usually interested in babysitting since she still had her own young child at home, but this time she agreed. Just as Debra and I were walking out the door to meet the other couple, Paul raced in. He had pleaded with his boss who finally relented. Poor Debra. We promised her a ticket to the show in New Haven instead. Paul had already agreed to work that night. She was disappointed but happy that she had any ticket, so all was good.
We were running late by the time Paul showered and changed. The other couple were getting anxious. We all were. Our driver raced into the city, miraculously avoiding any speeding tickets or other delays. There was no parking anywhere, so he finally flagged down a parking garage attendant, handed him a fifty-dollar bill and asked him to take charge of the car. Then we ran to the theater. We still didn’t know where we would be seated but figured the theater was so small it wouldn’t really matter. We handed our tickets to the usher as the band was just getting on stage tuning up and starting to warm up to the start. As the first notes floated in the air, the usher kept walking us further down the aisle until she stopped at the front row and waved us in. We were almost in the center. What a thrill! I could lean back and put my feet up on the stage. It was a great show that night.
A few days later I went to New Haven with Debra. These seats were up in the balcony in a larger venue, but they started out the show with an acoustic set. It’s the only time I’ve heard them do an acoustic set and was also the first time I heard their slow version of Friend of the Devil. I wasn’t a fan of the new version, but the rest of that set and the rest of the show were both great. It was too bad that Paul had missed out on that. He was disappointed that he never did get to see them play acoustically, but he was also thrilled that we’d had those front row, almost center, seats and stayed high on that until the next show. He always said it was worth twice the price.
It’s Gonna Be Cold Outside:
I’m turning sixty-eight in a few days. I feel young in spirit but, like so many of us who are aging, my body is starting to betray me. I’ve never been very good at exercising enough. The things I love to do are play music, write, create art and read. Those involve a lot of sitting. I also have a serious back condition that I’ve had for most of my life, ever since I was twelve. It’s almost invisible but causes me quite a bit of discomfort if I’m not careful. I’ve also inherited a few chronic ailments, and stress has taken its toll on me even though most of the stress is gone now. When the pandemic hit in March of 2020, and I lost much of my work, I anticipated that stress would return because of my loss of income. But I was pleasantly surprised. Friends, family and fans were generous and helped out in many ways. I also accepted food from a church group and a food box from the government twice. But mostly, like so many others I was staying at home and wasn’t spending money on gas or on rent for the space I had been using for my classes. I also wasn’t eating out as much, especially those lunches in cafes when I had been between classes and needed to stay in town for hours at a time with nothing to do. I was amazed at how easy it was to be at home. It gave me the chance to reevaluate a lot of things.
I thought a lot about my music career and the direction I wanted to go in. I was no longer practicing with a band and was back to playing music by myself the way I wanted it to sound. I started writing more songs. I rearranged old songs and sorted through my piles and piles of song bits that were never completed. I organized my files and organized my life. I also consistently wrote my memoirs. I found that the more I wrote, the more I wanted to write. I realized that I had a lot to say and wanted to say it while I still could. My mother died when she was eighty, my dad at eighty-four. Eighty is only twelve years away for me. Mom was active and healthy until her massive stroke. She only started looking and feeling her age at around sixty. This song is my reflections on aging. It’s not meant to be morose and was not written with regrets in mind. It’s just an acknowledgement that I’m getting older and slowing down a bit, and that’s okay.
In 2014, I moved in with my current partner in his off-the-grid solar house, that is heated mostly with wood, in the foothills of the Taconic Mountains on the Rensselaer Plateau. I’ve had to learn a new way of daily living. Our refrigerator is a small RV/Marine refrigerator, so I shop more often, we only use lights when necessary and only in the room that’s occupied, and we only vacuum or use kitchen appliances on sunny days. We have no fans or air conditioning in the summer, and it is sometimes chilly in the house in the late fall, winter and early spring. I’ve learned to let my body acclimate to the weather. I’ve become quite fond of hooded sweaters that keep my head warm. All of these things contributed to my writing of this song in the fall of 2020.
The winter was coming with continued isolation and more reflection on my part. I was pulling out my warmer clothes and started wearing my hat indoors before we cranked up the wood stove. I was enjoying telling my stories and, in telling them, remembering more and more each day. I tuned my guitar to an alternate tuning of E-B-E-A-B-E, as I often do for inspiration, and played random chords until the pattern came. Then I put all of those thoughts and experiences into words. I love hearing what other people take away from my songs. As I was writing it, the cold was a metaphor for the uncertainty I was feeling about the future and about my aging. But it can also be a song about facing a harsh winter or maybe something else entirely. I wonder what it all means to you.
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