It's been a while since I've checked in here. It's also been a wild ride, so to speak. Or, as the Grateful Dead expressed, "What a long, strange trip it's been." It keeps getting stranger, too. I'm sure I don't hold a record for number of disastrous things that can happen to someone, and I'm definitely not trying for it. They just keep on coming, and usually in groups of three. I've just experienced the third, so I'm hoping for clear sailing for a little while. The third thing isn't over, but it's out of my hands. Meanwhile, good things are starting to pile up. Those tend to come in waves, too. My work is stepping up again, even though I'm being picky about what work I want to do. I finished a series of music classes for toddlers through five at The Spencertown Academy in Columbia County, NY and am continuing a ten-week series at Caffé Lena in Saratoga Springs, NY as well as Music Together classes in Delmar and Troy, NY. I love working with these families. Young people are so open and truthful. Now that the pandemic is over, I'm getting hugs at the end of class again. That's the best part.
        This past weekend was packed full with excitement. I released a five-song EP on April 25th. It took a long time to be finished. Band members came and went, new songs got written, and life has a way of getting in the way sometimes, but it's out now. I decided to put the music on USB drives instead of CDs since no one seems to want CDs anymore. Once I had the blank drives, it made sense to add more content. There are 128 mp3s, 320 mp3s, wav files, photos of the various musicians, a few videos of live performances, art work and a short memoir snippet from the upcoming book. 
       In addition to teaching, I'm starting to perform again. I'm trying not to book too many shows at first and am being fairly picky about what venues I seek out. I bought a Fender Highway series electric guitar and did my first two hour show since my accident a few days ago, with that new guitar. I was envigorated playing live again and didn't feel sore or terribly tired the next day. However, I felt it two days after. Thank goodness for CBD. I have another show coming up for families at Caffé Lena. Because it's only an hour, I should be fine playing my acoustic guitar.
        The last thing that happened on the weekend was the Capital District Thomas Edison Music Awards. I was nominated again this year for Folk/Traditional Artist of the Year and, as usual, didn't expect to win. All the other musicians in the category are great. I thought I'd better be prepared, just in case. In 2022, I was taken by surprise by winnning a Listen Up Award and went up to the stage with no idea what to say, standing like a deer in the headlights. This time I prepared a speech, or the outline of a speech. I was so shocked when they announced my name, I almost started to cry. I hardly even noticed anyone in the audience as I passed by. I was so choked up, I didn't think I would be able to speak at all but managed to give a short speech that went over well. I wanted to focus on the fact that we all have differences of so many kinds, but we can set them aside in playing music together. These are such crazy times with angry people starting to lose perspective. As musicians, I think keeping the peace is as important as speaking out for justice,  equality and overall fairness.

        As I work on finishing up what is hopefully the final draft of my memoir, I find myself wanting to go back to writing my weekly blog posts. I love writing, although like any other writer, I have times of feeling uninspired. I’ve been consumed with the memoir and with songwriting and am ready once again to do even more. I was thinking today about the journey that brought me to my home in Petersburgh, NY. I thought about the Beatles’ song “Long and Winding Road.” It has been long and winding with adventures on both the east and west coasts, bouncing back and forth a few times always looking for something. Now, without even looking anymore, I’ve finally found it. It is peaceful indoors and out. Most days, I can sit in the yard or walk through the woods and listen to even the subtlest sounds because there’s no other noise. I can look up at the sky, and there are no wires obstructing the view. At night, it is dark. On a full moon, you can walk around in the moonlight, and if it’s a new moon, the stars are brilliant. This peaceful paradise has inspired me to write even more than I did before, and I’ve always been a writer. The first writing I did outside of school assignments and the occasional diary entry was writing headlines for articles in the newspaper where my dad was working as the editor. I was a young teen when he taught me the intricate art of headline writing. This was before computers when papers were printed with lead type. The headlines had to be succinct and catch the attention of the reader with something clever within the space constraints. It involved a certain amount of math because the letters were different widths.
        As a young adult, I started writing songs and poetry. In middle age, I started keeping a journal and did that for many years. Then I moved on to blogs and writing emails for a mailing list to promote my music. Not long ago, I went to a show in Albany and met someone who told me that he had been on my mailing list for around 20 years. It literally blew me away. When he told me that he’d been getting my emails for so long, I realized that I’d started writing them back when I was working with my former romantic and music partner as a duo, Cavanaugh & Kavanaugh, doing folk music. Having the same last name was one of those quirky things I always seem to attract that we capitalized on. I’ve been through a lot of changes since then. During that time, I started my own business, teaching music classes to families. I also went to Germany for two weeks to play music and China for two weeks to teach English through music. I started taking my songwriting seriously and released four CDs. In the last eight of those years, I started a new life, have had three major band configurations and have a collection of music videos that feature all of them to varying degrees. As my music has bloomed and grown, I’m reminded of the journey it's taken to get here.
        My main job for 40 years or so was raising children. Most families do that in a condensed way, but not me. Between children spaced apart and a grandchild who needed me, it was that many years of doing music but putting them first. I’m good at that kind of juggling, and there was a lot of fun along the way. Although I had been working as a musician when I was young, singing for weddings and various choirs, Paul Cavanaugh and I started out making music together on the streets. We became buskers when we lived in San Francisco and did it again later in Portland, Oregon. I learned a lot from that work and from the people I met who were doing the same. When we finally settled in Albany, NY, we put a band together and mostly played in clubs and events. We did a lot of cool shows and spent a lot of time making our posters to put up around town. I went to a party once where the kitchen was papered with show fliers, and many of them were ours. When I asked if they had ever been to a show, they said no but that they really liked the fliers. That made me laugh. For that reason, when I met the guy who’s been on my mailing list for so long, I asked if he ever read the emails. He seemed to kind of squirm a bit, and I felt bad. I hadn’t meant to make him uncomfortable; I was just curious to know if it was like the fliers. I never feel offended by things like that.
        Some of the most fun shows that I’ve done were shows with a theme. Paul Cavanaugh and I did two shows with songs written or performed by someone from every letter of the alphabet. The first show as titled “On Beyond Zappa.” Unfortunately, the set list is lost, and I can’t remember every song that we did. I do remember covering “Making Plans for Nigel” by XTC. The second one was “On Beyond Zevon.” For that one, we cheated a bit and sang something covered by Xavier Cougat. A few of the other letters in those sets were The Allman Brothers & Animals, Byrds & Beatles, Crosby, Nash, Stills and Young & Creedence Clearwater Revival … Eagles & Duke Ellington, Fleetwood Mac, Grateful Dead … Jefferson Airplane, Steely Dan, Talking Heads … Velvet Underground … Frank Zappa & Warren Zevon. We even passed out sheets with the letters and gave out a prize to anyone who could fill in every one of them. After doing the song for “z,” we did a few originals for “on beyond. Sue R., who came to all our shows, was the only one who knew them all. I would love to pull that off again sometime.
        For a few years, I hosted a Masquerade Open Mic at various venues including The Low Beat and The Rustic Barn. To sign up for the Open Mic, you must be dressed as a musician you admire and cover at least one of their songs. I’ve been everyone from Bob Dylan to Amy Winehouse. Some folks, including me, always go all out while others tend to minimize their costumes. Either way, everyone agrees that it’s a lot of fun. Some of them even started thinking about their costumes for the following year right after Halloween. It started out as a private party and got too big for my small home, so I found larger venues for it. During the COVID-19 shut down, I did one outdoors in our yard. It was a cold day, and only a couple of people showed up. This year, I waited too long to secure a venue, so it will be a private party again. I’m love thinking about not only the musician I will be but which of their songs I’ll do and what kind of crazy costume can I come up with. I must admit that so far, Amy Winehouse was my favorite costume. I even sent away for Amy Winehouse temporary tattoos, did the eye makeup and wore the most uncomfortable shoes ever. I eventually took off the shoes, and it was worth all the effort.
        Paul and I, with our band General Eclectic, even did two acid tests in Albany, NY in the late 1980s. We’d planned on doing three but never pulled off the third. Those were both unbelievable experiences with Kool-aid, films, a light show and multiple bands of different genres. They had been advertised only by word of mouth with clues included on the posters. For those shows we were General Eclectic, the Eclectic Kool-aid Band. Both shows were packed with overflow out on the street and in the two apartments in the same building. Now I have another band and have been pondering what comes next. I’d like a new theme to work with, something fun and unique. I don’t know what it is yet but stay tuned. I’m sure I’ll come up with something unusual. I think that often, because I tend to be quiet, some folks don't realize how much fun I can be.

        When I was nine years old, I was offered music lessons at school. I chose the violin. My parents borrowed one from a friend. It was a nice instrument but was a full-sized violin and a little too big for me. I didn’t care. I knew I loved music more than anything and was anxious to learn to play it. Unfortunately, the violin is a difficult instrument to play well at first, and it squeaked and squealed all the time. I tried playing it softer, but that only made it worse. My parents had no patience for it, so they sent me into the dark, dank, dirty, dingy basement to practice. In spite of that, I still practiced every day. Then the teasing started. My dad bordered on cruel with his teasing. He had learned the art from his family and practiced it regularly on me and my brother. My brother learned it from my dad and joined in. Finally, it became too much for me, so I quit the lessons and returned the violin.
        A few months later, I overheard my parents talking about a piano they had been offered. It would cost them fifty dollars if they moved it themselves. I ran in the room and literally got down on my knees, begging them to buy it. Of course, they reminded me that I had tried one instrument already and quit. I tried to explain that the teasing had caused me to quit, but that only made Dad angry. I reminded them tearfully that I had practiced every day in that horrible basement until the day I quit and promised that I would also practice the piano every day. Dad agreed to go get the piano if I agreed to practice at least an hour a day, which I did. Those practices were sometimes torturous, but I stuck with it. Dad brought out his photography timer that made a loud ticking sound and clanged obnoxiously when the hour was up. It rarely ticked in the right tempo and competed with the metronome, but I learned to tune it out and keep my own rhythm. Most days, I practiced the required hour then kept at it, sometimes continuing my practice and sometimes playing my own music. I quickly noticed that when I was at the piano everyone left me alone, so it became my second sanctuary. I rarely play the piano for fun anymore because it has too much baggage, but I often use it as a tool. I managed to keep that original piano, in spite of my parents trying to get rid of it multiple times, though I recently gave it to my son.
        Dad wanted to be involved in my lessons, so he often sat with me during the practice hour criticizing and correcting me. Then, I would go to my lesson where the teacher explained that I had been doing it wrong. Dad didn’t believe me, so I insisted that he go with me to a couple of the lessons. Once again, this made him angry and made my life harder, so I practiced for an hour on my own, while he was at work, playing the way the teacher had instructed me then practiced another hour with Dad. As frustrating and confusing as it all was, I think it made me a better musician in the long run. I have a great sense of rhythm that I attribute to practicing with competing clicking sounds. I also can hear multiple parts in my head at the same time. For example, when I’m creating harmonies for a song, I hear all of the parts together. I can even sing rounds in my head hearing all of the parts simultaneously. I used to think that everyone could do that, but I’ve since learned that’s not necessarily true.
        I spent my early life trying as hard as I could to follow the rules and not make waves. Mistakes were dangerous in our home. Dad was a firm believer in corporal punishment. He took his leather belt to me at least three or four times a week. He also tormented me and my brother, constantly teasing, criticizing and belittling us. Neither of us ever did anything right. He was fond of that game of hitting you and saying with a satisfied smirk, “That was for nothing, now go do something.” He also loved to pull me into his lap then, when I got comfortable and let my guard down, he would rub his thumb on the inside of his Planter’s Peanut can and smear the grease all over the front of my glasses. He never questioned Mom who I suspect was bi-polar or had some other mental health issue. She would often change moods like flipping a light switch, and she lived in a different reality than the rest of us. Most times, I was punished for something I didn’t even know I had done. Or maybe the rules had suddenly changed without any notice. When she decided I had done something wrong, I was sent to my room to wait for Dad. Sometimes I waited for hours, knowing that I would get the belt and having no idea what it was for. I grew up believing that I was crazy because my mom certainly couldn’t be. She was my mom. She had to be right. It wasn’t until I was an adult and had witnesses to her changing reality that I realized it hadn’t been me. Until then, I lived as though I was  walking on eggshells, trying not to be noticed, while knowing that violence could erupt at any time.
        My high school days were filled with bullying and abuse. I had been diagnosed with scoliosis the summer before my freshman year and entered a brand-new school wearing a steel and leather brace that stretched from my chin to just below my hips. It was large, uncomfortable and obtrusive. After having spent my first eight years of school in public school, this new Catholic school with all of its restrictions filled with snobby kids that I didn’t know was a nightmare for me. The bullying was cruel and relentless. One boy a year ahead of me climbed on the school roof with a gun and shot randomly before finally killing himself. Another boy committed suicide at home because of the bullying. I became anorexic and was carving designs into my forearms with straight pins. The only thing that got me through that time was music. I stuck with those lessons through high school and also took classical voice. Unfortunately, the high school that had no music or art classes until my senior year, but that didn’t stop me. Those two subjects, as well as writing, were the things I excelled at and truly loved. They were saving my life. When it was time to look at colleges, my guidance counselor told me that I had to choose only one of those subjects, so I chose my first love music and was accepted, in spite of my failing grades, into two music schools. One was Hart School of Music in Hartford, Connecticut, and the other was Seton Hill College in Western Pennsylvania. Hart had offered me a scholarship and wanted me in their music education department, but I had no interest in being a teacher. I wanted to be a performer. I had finished the music entrance exam before everyone else and had continued on to the education section just to pass the time and got a perfect score. My parents pushed for that school assuring me that I could come home every weekend. That was the last thing I wanted to do.
        My family was dysfunctional and violent. My mother tried to control my every thought. Believe it or not, she chose the clothes I wore every day until I moved out. Dad’s teasing got worse, and during the years that I wore the back brace, he focused on that and my physical appearance. I wanted to get as far away from home as I could and decided, against everyone’s advice, to go to Seton Hill where I was also given a scholarship. I won’t go into all of the details of why, but I failed miserably the first semester, had a mental breakdown and was sent home. It had been the first time in my life that I made my own decisions, but it felt like I had been thrown to the lions. I hadn’t experienced any of the things that normal kids go through in high school. I’d had no relationships of any kind with the opposite sex. I’d never held hands with a boy or even really talked to them much, and I was afraid of my own shadow. Now I was in a whole new world and didn’t handle it well at all. When I came home, my parents were angry. They found me a job at a bank and set me up with a therapist who I couldn’t stand.
        The good news was that once I had a job, I had my own money and was able to start living my own life. I started meeting people and started learning how to socialize. I became friends with a woman my age who helped me invent things to tell my therapist. We came up with dreams and fantasies, changing these over time to make it look like I was recovering. What really helped me recover was having a friend and being able to make my own decisions. I went clothes shopping with a friend for the first time, took the train into New York City to go to concerts and just cruise around the big city. I reconnected with a couple of old friends from Junior High School and eventually got my own apartment that I shared with a roommate. I still struggled and made some very bad decisions, but they were my decisions. I was not being ruled with an iron fist. Looking back on it, I think it’s a miracle that I survived. Between my family’s abuse and the abuse that I suffered in high school, it was no wonder that I turned to sex, drugs and alcohol. But I did survive, and everything from my past has led me to the present and a full and fulfilled life.

​        It feels odd having finished the short memoir pieces, at least for now. I feel almost an emptiness, not entirely unpleasant. It just feels as though I’ve lost my direction somewhat. There’s plenty more to write about, and things I omitted from my story. I’ve only hinted at my childhood or occasionally included some flashbacks, but I didn’t start from the beginning. My early years were harder than the later ones and harder to write about. I have very few memories from the years I lived with my birth family, and the ones I do have are mostly unpleasant. Anyway, I’ve previously written short memoir pieces about some of those memories. The CD I released in 2014 had spoken word memoirs recorded, one for each song. Although, I won’t record them this time, maybe it’s time to tell you a little bit ​about the songs in the new CD.

​  Deep Ellum Blues:
        I first heard this song played live by The Dead at an acoustic show in Connecticut. It must have been sometime in the late 70s. Paul was a more dedicated Deadhead than I was and insisted on going to every show he could. We didn’t have much money and could usually only afford one or two shows a year. I liked seeing a variety of bands, but I usually deferred to Paul because he was so enthralled with The Dead. That year, he had heard a rumor that they were coming to the East Coast, so he went to a ticket agent to find out. There were no dates announced yet, but the agent promised to let Paul know as soon as any information was released. We waited and waited until finally one day, we got the call. There four tickets available for a show in a small theater in New York City. The agent didn’t know exactly where the seats were, but he insisted they were good ones. He also had two tickets for show in New Haven, Connecticut and didn’t know anything about that show either. He apologized and explained that he wasn’t used to getting rock and roll concert tickets. The New York tickets were pretty expensive for that era, but we took them as well as the two for New Haven. We thought we could easily get rid of the two extras. Boy, were we wrong! No one wanted to buy pricey tickets for mystery seats. We thought we were going to be stuck with them until finally a friend of a friend scooped them up. He was so excited to get these sold-out tickets, he even offered to do all the driving and get us high all night in exchange.
        Finally, came the day of the show. I had arranged for a sitter to watch our daughter, and Paul had miraculously managed to get the night off from work. Then, late in the afternoon, I got a call from Paul saying that he had to stay late at work and wasn’t going to make the show after all. He was devastated. Our sitter was also a Deadhead, so Paul suggested that I find someone else to watch Jessie and ask Debra if she wanted to come to the show with me. Of course, she jumped at the chance, so I got my mom to keep our daughter overnight. This was a rare occurrence. Mom was not usually interested in babysitting since she still had her own young child at home, but this time she agreed. Just as Debra and I were walking out the door to meet the other couple, Paul raced in. He had pleaded with his boss who finally relented. Poor Debra. We promised her a ticket to the show in New Haven instead. Paul had already agreed to work that night. She was disappointed but happy that she had any ticket, so all was good.
        We were running late by the time Paul showered and changed. The other couple were getting anxious. We all were. Our driver raced into the city, miraculously avoiding any speeding tickets or other delays. There was no parking anywhere, so he finally flagged down a parking garage attendant, handed him a fifty-dollar bill and asked him to take charge of the car. Then we ran to the theater. We still didn’t know where we would be seated but figured the theater was so small it wouldn’t really matter. We handed our tickets to the usher as the band was just getting on stage tuning up and starting to warm up to the start. As the first notes floated in the air, the usher kept walking us further down the aisle until she stopped at the front row and waved us in. We were almost in the center. What a thrill! I could lean back and put my feet up on the stage. It was a great show that night.
        A few days later I went to New Haven with Debra. These seats were up in the balcony in a larger venue, but they started out the show with an acoustic set. It’s the only time I’ve heard them do an acoustic set and was also the first time I heard their slow version of Friend of the Devil. I wasn’t a fan of the new version, but the rest of that set and the rest of the show were both great. It was too bad that Paul had missed out on that. He was disappointed that he never did get to see them play acoustically, but he was also thrilled that we’d had those front row, almost center, seats and stayed high on that until the next show. He always said it was worth twice the price.

        I have said before that my friends refer to me as a serial monogamist. That is because I am committed and loyal to my partners. However, eventually, when faced with daily emotional and verbal abuse, I come to a breaking point and decide to move on. I left home and moved in with Paul Cavanaugh when I was twenty. I left him and moved in with Dick Kavanaugh when I was forty. Now I was sixty and was leaving again. I managed twenty years in each abusive relationship and was now determined to live alone. I decided to move into a friend’s house. I would be renting a long narrow room, large enough for a single bed, some bookshelves, desk and dresser in a long line against one wall. One friend said it reminded her of a dorm room. I saw it as a landing place where I could regroup and figure out what to do next and where to go from there.
        Two days after I went to court, and the day after I announced my moving date, Dick came home in a terrible mood. He started right in yelling at me and throwing things around. I decided that I needed to go out that night and started exploring my options. I have always tried to support other songwriters as much as possible and had a list of people to see. One of them was playing as hour away so I started reaching out to friends to find out if anyone would join me. No one that I spoke to was interested in going out that night, so I went alone. I walked in, took a seat at the bar, and ordered my usual bourbon neat with a slice of lemon. I turned my back to the bar to pay attention to the singer in front of me and noticed a clean-cut looking man also sitting at the bar wearing a jacket and tie with a video camera and recorder between us. I soon struck up a conversation, curious about the recording he was doing. Before too long, I had moved to the seat on the other side of him so as not to disturb the recording, and we spent the entire night talking and enjoying each other’s company. I have to admit, it was an unexpected and pleasurable turn of events.
        At the end of the night, I introduced myself to the singer-songwriter and complimented him on his beautiful guitar. He handed it to me to try out. I played “Highway In Your Eyes” and tried to hand it back, but he insisted that I show him the runs I play on that song. Then he complimented me, and we chatted a bit longer. As I was leaving, I hugged him then turned to the videographer and stuck out my hand. He looked at it, laughed and said, “What? No hug?” so, I hugged him, too. Then he handed me his business card and asked if he could see me again. It read Joel Patterson, Mountaintop Studios. I hesitated, remembering that I wanted to be single. But I gave him my card as well and agreed to exchange emails. I explained that I was going through an ugly breakup and needed to focus on that and my other family obligations before I could see him. He agreed to wait for two and a half months if we could stay in touch via email. The next day, I told Dick that I had met someone that night and would probably see him again after I had moved. Things were messy enough already, and I didn’t want extra drama. I believed that honesty was the best policy.
        The next weeks were traumatic and emotional. As I said before, my friends pitched in to help, but there was always the cloud of my former partner always nearby reading in his recliner while we sorted and packed. I reminded him that I had found the house, and he had not wanted to be a part of deciding to move there. He always insisted that it was my house and my decision alone. But he refused to leave the house, stating that it was now his home regardless of how he came to be there. Somehow, he managed to be home whenever I worked at the massive job of cleaning and clearing everything out. The more time went by, the angrier I felt. I knew that I would have a difficult time forgiving him for his treatment of me when my mom was dying and forgiving him this monumental task that was left to me to deal with by myself. I had always remained friends with Paul after our split but wasn’t sure I could that this time around. Although Paul was angry much of the time and was abusive in many ways, he was kind to me in times of turmoil. He cared for me when I was ill, supported me when I faltered and always showed his love for me. This time around, I felt as though I had been a burden. I was sure that Dick was relieved to be rid of me despite the years we’d spent together.
        Meanwhile, Joel and I emailed each other almost daily. One day, he wrote to tell me that he was recording a show in Schenectady, not far from my house, and wondered if I would meet him for coffee. I was hosting a family birthday party that day and knew I wouldn’t be able to get away. Besides, I had already told him that I was committed to waiting until I moved out to see him. I explained all of this then didn’t hear back from him. I figured he was busy, but when day after day went by with no word, I started to wonder. I finally wrote to him asking what was up. He said that he thought I was writing him off. He was sure that was my subtle way of telling him that I wasn’t interested because he was so close by that day. He didn’t have any idea what my family gatherings were like with over a dozen people of all ages for a day-long celebration with me doing most of the work. As I smoothed things over, I found myself wondering why I felt such a loss when I was determined not to get serious about anyone. But I ignored the warning signs and went back to daily correspondence.
        May first came fast. I moved into my little room and settled in a bit then let Joel know that I was ready to see him. We arranged to meet at a show by the same singer that had been instrumental in our meeting. Once again, Joel showed up in a jacket and tie. We enjoyed the first set then went out to my car to smoke a joint. One thing led to another, and I finally told him that I thought he should invite me to his house to spend the night. We had been out in the parking lot long past the show’s end. It was now around 3 am. He explained that he loved a distance away, but I didn’t care. I was enthralled with this quirky and wonderful man. I followed him home, making him wait for me as I waited at all of the red lights that he ran. As we drove, I started to wonder what I was doing. I barely knew him and was now following him to his isolated home. As we drove on and on, I felt slightly nervous until we drove past a sign for The Peace Pagoda. During my time teaching at The Free School, I had helped out while it was being built. I knew exactly where I was and how to get home. Very shortly, we went up a long steep dirt road then turned into a dark driveway. When the outside motion detector light came on, I saw what looked like a huge three-story barn. This was his home.
        I spent a lovely night there and woke up the next morning feeling tired but happy. Joel made me breakfast. He told me that he had been going to see that same singer-songwriter for a few years, doing free videos for him, which he never did. He said it was like a compulsion that he didn’t understand. Now he realized that it was all done so that he would meet me there. That fit right in with my belief that things happen for a reason if we only follow the signs. Then I remembered that it was Mother’s Day, and I had plans to meet my daughter for brunch. I reluctantly left agreeing to see him again soon. We did see each other again the next weekend, and every weekend after that. I kept trying to explain my resolve to be single for the rest of my life and insisted that we had to keep things casual. He just laughed each time, and it did end up being a losing battle. We quickly went from seeing each other every weekend to almost every day. I still insisted on renting the room in Albany, and we alternated back and forth from Petersburg on weekends to Albany during the week when I had to work in town. Then Joel did something for me that changed the tide.
        I had always wanted a porch swing. When we moved into the farmhouse in Princetown, I finally had a front porch. My kids all pitched in and bought, assembled and installed a porch swing on that porch. I was thrilled and often sat out there enjoying it. Then one day, Dick decided we needed a ceiling fan on the porch and took down not only my swing but also the rafters that supported it, so it never got put back up. When I moved out, I put it in my storage unit. I had to go there to get my sound equipment for a gig when Joel noticed it and asked about it. I tearfully told him the story. It was just one of many things that still stung. He offered to store it in his garage so that it wouldn’t take up so much room in the unit. I declined at first, but he soon talked me into it. The next time I visited his home, I saw my swing installed on a free-standing frame made out of saplings he had cut down in the woods. I stood there and cried. At that moment, I fell deeply in love with this amazing man and knew I was no longer able to keep things casual. After a few more months, I agreed to move in with him and have been happier than I’ve ever been in my life.
        It is the first time that I have a life free of trauma, though it did take a while to settle down. My son recovered from his breakdown, after many more months of turmoil, and we have gradually and carefully repaired our relationship. Dick Kavanaugh and I did manage to have a tentative friendship, and his cancer eventually ended his life. I am still close to some of his children and grandchildren. There have continued to be many ups and downs within my family, but I navigate them with the backing of a loving and supportive partner. I soon planted flower gardens and brought over my yard decor, a picnic table, chiminea, chairs and benches and children's items for outdoor play. Together, we have planted gardens, marked trails in the woods, and hosted events on our outdoor stage. We've created a peaceful and musical environment for people of all ages.
        We have had a few struggles in our relationship like any other, but we are able to sail through them without fighting with each other. We make compromises and accept each other for who we are. It’s the first time I have lived without being cautious, without being yelled at or blamed for things. I’m no longer afraid of what each day will bring. And most important of all, I have my life and he has his life. If I want to travel, I do it without him because he likes to stay at home. We have no expectations of each other beyond being kind and loving. In the eight years that we’ve been together, I have traveled to music festivals where I camped for three to four days, Oregon for ten days, South Caroline twice for a week at a time, Maine a few times and gone to China for two weeks without him. I’m always glad to come home, and he’s always glad to have me back.
        In addition to all of this, he has enabled me to move forward with my music, recording me, making music videos and sometimes running sound for gigs. He is my harshest critic but in a kind and loving way, keeping me on my toes and encouraging me to be the best I can be. When the Highway In Your Eyes CD was nearing completion, he mixed it and recorded a few more songs in his studio. I hired an artist friend to do the cover, but he put it all together. When we were first together, he had me read my memoir pieces aloud to him in the evenings. It was a nice way to get to know each other. I would read a piece, then he would share something from his life. He encouraged me to put some of them together on a second companion CD, so I did, one for each song. In 2014, just after its release, WRPI did a show using both CDs and playing a story then the song that went with it. It was very cool to listen to them in that order, but it seemed to make the most sense to put the music and stories on separate CDs so that you could listen to just one or the other.
        I spent the first year living with Joel recovering from all of my past trauma. I felt exhausted and unmotivated much of time. He and others encouraged me to just take the time to rest. I spent the second year trying to figure out what was next. By the third year. I was feeling alive again and starting to move forward. Now, I feel as though I am living the life I never even imagined was possible with the “Finest Man.”

​        The night that my mom died, I had a dream that I was in my music room, playing my dulcimer when Mom walked in. She stood and listened then said, “That’s a beautiful tune. I love you, Deb.” I woke up crying then went downstairs and played the tune from my dream. I originally titled it “Margaret’s Waltz” after my mother, but there is already a well-known tune by that name, so I shortened it to “Maggie’s Waltz.” It was a healing dream. My parents had never shown me support for my music, never asking about it and never coming to any shows. After they both passed, I found out that they bragged about me all the time to others. I wish I had known that while they were alive.
        The next day, I was scheduled to do a Cavanaugh & Kavanaugh gig at a local library. I’ve always believed that the show must go on, and I was still numb from the long ordeal and in shock from her eventual passing. I insisted that we do the show but was reluctant to go to the party we’d been invited to that evening. The show went well, and playing music felt healing. Afterwards I agreed to go to the party where we would do more jamming. However, I hadn’t counted on going with a moody partner who seemed to be going out of his way to try to fight with me. I wasn’t interested in fighting with anyone and tried to go along with his whims until the end of the night when he aggressively insisted on leaving in the middle of my playing a song. At the end of the song, disappointed at leaving because the music felt so good but determined not to engage in drama, I went to say goodbye to our hosts. When I looked around, I saw that Dick was in the middle of the jam. At the end of that tune, I told him I was ready to leave. He loudly and rudely said that he had gotten tired of waiting for me and was now staying. I was furious and embarrassed, so I walked to my daughter’s house and spent the night there. I refused to answer his calls and finally returned a few days later in time to prepare for Mom’s funeral.
        That was a turning point in our relationship. I wasn’t sure if I could forgive his insensitivities during the past year while I was dealing with such a traumatic event. I’m a very loyal person and don’t give up on relationships easily, but once again I’d had enough. Although I felt as though I no longer loved him, I also recognized that he was dealing with a probably fatal cancer and didn’t want to abandon him. I’d already lost Paul to cancer, though his diagnosis was well after we had split up, and I knew Dick would need support, but things were never the same. We became roommates that shared the same bedroom and continued to play music together. I tried to help him with his health issues, but he soon stopped all of the recommended protocols, including regular testing. Nothing I said could change his mind. It seemed as though he’d given up. Still, I was determined to be there for him.
        Things did improve slightly over time. My dad passed a year later, and Dick was supportive and kind. I started feeling hopeful that we would get back on track, but the time when my mom was dying still haunted me. Then one day, I came home from a demonstration in Albany, hot and tired. He was in my office using my computer, and I asked him when he thought he would be done since I had work to do. He snapped at me, saying that he would get off when he felt like it. Then he accused me of being selfish and possessive of my computer. I also got angry and, when I did, he jumped up and shoved me into the doorframe, yelling and calling me names. He had often been angry and violent, but it had never before been directed at me. I felt like I was reliving the scene with Paul so many years earlier and snapped. I screamed back and ran out of the house. When I returned, I calmly asked him if he wanted to continue to be with me. He replied, “no.”

        We started talking about how the break-up would work. He insisted that Tabitha give up her bedroom to him. He already had a room and most often slept in the recliner in the living room, so I suggested that he take that as his room, as well as the smaller room adjacent to it. My office was on the other side of the house, and his section could be closed off to everyone else, but he refused. I was devastated. I had painted Tabitha’s room for her when we moved in with clouds on the ceiling and trees and flowers on the walls. She loved that room and slept and played in there. But there was no changing his mind. I moved as much of her things into my room as I could and shared my double bed with her. I was finished fighting. I’d been fighting my whole life and didn’t have any more energy for it. I knew I had to make a complete break, but he refused to move out of the house.
        When I first found the farmhouse, I went to him and asked if he wanted to move there. One of my Music Together moms had offered the house for a reasonable rent. We had always talked about moving to the country, so it seemed ideal. Dick refused to make a decision. He told me that if I wanted to move there, I should decide to do it, and he would then decide if he was going to move with me. I replied that I would need someone to share the rent, but he stood his ground. It was going to be my house. I decided to do it, and he decided to move in with me. I was confused but happy that it worked out. Now, suddenly he was saying that it was his home, and he wasn’t going to leave. Once again, I was confused. I thought it was my house, and he was renting rooms. Finally, I gave in again. I knew that in order to have any peace, I was going to have to find another place to live. Meanwhile, we lived there as roommates. Then in November of that year, his son committed suicide. He was devastated, and I took him back into my bed, moving Tabitha back into her old room.
        That same year, I had been approached by one of the dads in my music classes and offered a trade. I often do trades with families who couldn’t otherwise afford classes. I believe strongly in making the program available to everyone who wants to do it regardless of their financial ability. He offered to record a CD for me with his remote equipment. This was incredible. I was still writing songs that Cavanaugh & Kavanaugh didn’t perform and was eager for this opportunity to get my original music out in the world. I was feeling done with Cavanaugh & Kavanaugh. I had little input anymore as to what songs we played, and my original songs were usually rejected. I wanted to do more solo gigs again, and this would help. It became my second full-length CD. I called it “Highway In Your Eyes.” Dick and I were getting along again, so I asked him to play guitar on a few songs. I recorded most of my and Dick’s tracks on a day in January the following year at the Cary Institute in Rensselaerville, NY.
        Meanwhile, my younger son was struggling. I knew he was drinking more than I liked and had been experimenting with some of the newer designer drugs which I knew to be dangerous. He had moved back into our house to go to school for music at the local community college and had finished his first year. He was quite talented but also a bit lazy and had never focused on schooling. He started out his first semester strongly and ended up doing well. Then, his grades faltered. He couldn’t seem to concentrate and didn’t understand some of the courses. He passed, but just barely and got discouraged. He asked for my help which I gave, but he soon became surly and angry with me most of the time. I was worried and suggested that he seek help which only made him even more angry. He had gone on a cross-country trip with his best friend the summer following his first semester, and it was a disaster. He came back worse than ever. He barely got through school that fall and had to repeat a class. I was worried and didn’t know how to help him. He was already an adult, so there wasn’t much I could do.
        Life was incredibly stressful again. I was having trouble sleeping and couldn’t concentrate on anything. I knew I had to find a place to live but had no energy to even think about it. Neither Dick nor Austin was helping out around the house regardless of the agreements that had been made, and I was burning out fast. We heated the house partially with wood. We’d all agreed that Dick would cut the wood, Austin would split it, and I would stack it, bring it in and keep the stove going. That winter, we were constantly running out of wood. Sometimes Dick would go buy a bag of wood from the convenience store, and I was hauling dead branches out of the woods. We had an electric splitter, so that wasn’t as hard a job as it could have been, but I was left on my own to heat the house.
        One day, I went up to Austin’s room to ask him to please go out and do wood. He refused, and I got angry. Before long, we were yelling at each other and suddenly I found myself on the floor with his hands around my throat, screaming that was going to kill me. I managed to scream at which point he stopped, looking shocked and stricken. I ran out of the house with my phone and called the State Police. They took my son away as I cried and shook. Then one of them stayed with me while I called Dick to see if he would come home. They said they didn’t want to leave me alone in the house after such a devastating experience. I told Dick what had happened, and he assured me that he would come right home. He was twenty minutes away, so I told the trooper that he could leave. I would be alright for the short time it took for Dick to come home.
        After three hours, Dick walked in the door. I asked what had taken so long, and once again, I got yelled at for being controlling, as he reminded me that I wasn’t his keeper. I left and walked in the woods for hours, shaking, crying and berating myself for staying with someone who continued to be so insensitive to me in my times of need. The next day, I went to court with a friend and tried to get the judge to mandate counseling. I was told that they only intervene after a second incident, which made no sense at all to me. They wouldn’t even recommend drug counseling. I was urged to get an order of protection for six months, which I did. I went home, shaken and sad. Dick wanted to know why I hadn’t included him in the order and didn’t understand or accept that it had nothing to do with him. I was the one that had been targeted. Our neighbor was there at the time and was able to calm him down. I had to leave the house while Austin came with the same family friend to get his things and move out. He left me a note, and I cried some more. I couldn’t believe that my life was falling apart so traumatically and all at once. I immediately regretted having called the police but also knew it was the right thing to do. Like so many other times, there were friends who were understanding and supportive and others who were judgmental and didn’t seem to understand the strong bond between a mother and her children.
        The next day, I told Dick that I would be moving out May 1st. That would give me two and a half months to find a place to go. He sneered and asked where I was going. I told him that I didn’t know yet, but I would figure it out. He laughed, sarcastically wished me luck and walked away. I started walking around the house looking at the twenty years of accumulated things from our life together, books, CDs, sheet music and lyric sheets, household items, furniture and more. When I had left Paul, I packed a suitcase and left, coming back over time to take a few things. This time, I knew I had to sort through things and wasn’t looking forward to having to do that together. As it turned out, we didn’t do it together. He refused to do any of the work. He told me to take everything. He wanted nothing. Luckily, my friends came and helped me, taking loads to donate, helping me pack and bag things up for the trash. There is much more to tell about that difficult time, but I will leave you with the image of Dick sitting in his recliner reading or napping while my friends and I sorted through our communal belongings for weeks and weeks, setting aside things that I knew were his or would mean something to him and splitting up our household goods in an effort to be fair and equitable. I have always been thankful for my friends, but never more than during that time while I was forced to deal with a nasty breakup at the same time as what felt like the loss of my son. I never underestimate my friends. They have been my saving grace time and time again. 

        I have always known that every chapter in my life, even every little incident, whether good or bad, just leads to the next chapter which may be completely different and unexpected. That was how I felt about the gig in Europe. Because of the choices I made when I was younger and just starting out in my adult life, I lived below the poverty level for most of that time and never imagined that I would travel overseas. I was resigned to my lot and even embraced it. I’ve never been religious. Even as a child, being raised kind of Catholic lite, I was thrown out of Catechism class in twice. My parents were able to enroll me again for the two big sacraments, First Communion and Confirmation. I guess I “asked too many questions.” It was disruptive to the rest of the class. But although I’m not religious, I am spiritual. It’s probably more along the lines of Native Americans and Druids. I pay attention to any signs that come my way. Sometimes they’re dreams, other times premonitions. I also tend to go whichever way the wind blows. My partner teases me about being spontaneous. It’s true. I can be running a short errand and end up on some adventure or exploration for much of the day, and I usually say yes immediately to most things.
        That’s how I ended up in Europe. As draining as the actual gigs were, the rest of the trip was amazing. After the other musicians left to go home or on to their own travels, we rented a car. We toured around Berlin for a day, finding Dick’s old haunts and listening to his outrageous stories about his adventures there as a young man. He even spoke a little German, just enough to get us by. I found that I understood more of what was being said than I thought I would. I didn’t know if it was because German is a similar language to English or if it came from my musical background. Musicians often have an easier time with language. In addition, when I studied classical voice, I often sang in other languages such as German, Italian and French. Either way, we were relieved to have had no trouble navigating the country. We soon headed south to Bavaria where we saw a few old castles and stayed in a motel at Schwangau. Schwan is the German word for swan. This is where the Hohenschwangau Castle and Neuschwanstein Castles are located. It is also the location of Swan Lake or Schwansee. Both castles have an interesting history.
        Hohenschwangau Castle was built sometime around 1397 and sits on top of a hill overlooking Schwangau and went through many owners until finally being bought in 1832 by King Maximillion II. It was Maximillion who built the park which has Schwansee in it. His son, King Ludwig II, grew up there and later built Neuschwanstein Castle on the top of the neighboring hill which also overlooks the lake and village. Neuschwanstein Castle became the model for Disneyland’s Sleeping Beauty Castle. King Ludwig has an interesting and tragic story. He was called “The Mad King.” In reality, he was shy and quite eccentric. He spent his money wantonly. He insisted on only eating outdoors and wore a heavy coat on the hottest days in the summer. He often behaved in a childish way and avoided politics and state business. He was expected to produce an heir but never married and was known to be attracted to men. In the 19th-century, Bavaria was intensely Catholic and socially conservative. Homosexuality was illegal and punishable by death. The scandal of a homosexual monarch would have been intolerable, so he was deposed and later murdered.
        He was a patron of the arts and was drawn to classical composer Richard Wagner. He decided to build the castle as a private residence but also as a retreat Wagner. He used his own private money rather than using public funds and borrowed an extravagant amount only to leave the castle unfinished. It is extravagant and quirky. It almost reminded me of the creepy Winchester House in San Jose, California with its staircases that lead nowhere, doors that open up into walls and useless rooms, except that no expense was spared for the construction of the castle. He was so involved with the design; he often gets credit for being the architect. On the tour, which consisted mostly of climbing up and down stairs to look at many unfinished rooms, my favorite room by far was the Singer’s Hall. The walls and ceiling were built of hollow cedar boxes to mimic an acoustic instrument, like a guitar body. It was one of the last stops on the tour and I stayed behind the group long enough to sing inside the room. It was awesome. The richness of the sound was unlike anything I’d heard before. That one room made the whole tour worthwhile. After the one night in Schwangau, we started traveling east on our way to Switzerland to stay with friends at their home.
        As we traveled through Bavaria, we noticed that the area was still very conservative and Catholic. There were many crucifixes along the road, in people’s yards and churches everywhere. In one small town, we noticed an outdoor art fair, so we stopped. Some of the vendors spoke English. One of them had lived in upstate New York for a few years. He did watercolors. We had our instruments with us and thought maybe we could play here. There were no other musicians around, so we asked this new friend. He explained that we would have to get permission from the local priest who would only permit it if we did sacred music. We were stunned. We asked if he thought the priest would accept instrumental tunes. He advised us to forget about it, so we did.
        The autobahn was incredible. It was a solid road with no potholes or cracks in the concrete. We saw some workers building a new road and were amazed at the outstanding construction. Everything in Germany seemed to be well-built. No floorboards creaked and no doors or windows were warped, no matter how old the buildings were. When we had first arrived at the Berlin airport, we had seen windmills everywhere. Now there were hundreds of them and yellow fields of rapeseed everywhere that would be harvested to make Biodiesel fuel. We saw these sights all along our journey through Germany. It was also clean everywhere. There was no litter, and every restroom was immaculate and staffed with attendants. I was also impressed by the hospitality in every region, and food was wonderful.
        We got stuck in a traffic jam on the autobahn for a couple of hours. When there’s an accident, traffic is at a standstill until everything is cleared away. It usually involves many cars and takes a while, so people get out of their cars and socialize. We pulled out our instruments and practiced, having a great time for a while, then finally got to an exit and, looking on a map, found a way around the mess. When we were about an hour from our destination, we got lost in Eastern France for a while, driving along narrow, hilly winding roads in tiny villages. Every time we hit a dead-end, we crossed our fingers that we could manage to turn around. The borders were all open, so I had to get a photo with one foot in each country. We finally made it to Fahy, Switzerland around dinnertime. We were starved and exhausted, but we were so excited to see our friends for the first time in many years, we ignored it.

     Dick and I continued to play many gigs as Cavanaugh & Kavanaugh, and everywhere we played, people asked if we had any music to sell. I’d never been able to do any major recording project and never imagined I would, but we decided to explore our options. Dick and I had been members of the local food co-op and were connected with a man who had his own studio. He offered us a reasonable price. I was getting more and more work, and with both of us splitting the cost and my extra work, I figured it was doable. So, we started planning. We were both composers and had plenty of material. Dick mostly wrote tunes while I wrote songs, but he had taken my songwriting workshop and wrote a wonderful lullaby that was included on the CD. Between us, we played guitars, mandolins, fiddle and mountain dulcimer, and we both sang. We got a couple of friends to collaborate on some of the pieces, playing guitar, fiddle and stand-up bass, and got started. It was all recorded live rather than tracked, making it easier for us and less studio time.
        Once the recording was done, it was time to think about the art. I said I wanted to find an artist to do the cover and thought about contacting the art schools when we got invited to a friend’s party in Cherry Plain, NY. When we walked in, I looked around and saw that everyone seemed to be in a different class than we were. The men wore leisure suits, and the women were dressed to the nines. We wore our usual casual hippie garb and felt out of place. Then, I glanced across the living room and saw a large man in another room wearing a kilt and an outrageous necklace. I thought to myself, “I need to meet that guy.” I walked up and asked if he was an artist. He was. He showed me some of his work, and I was impressed. We made a date to meet and talk about the CD cover. A few nights before we got together, I had a dream about a large oak tree that had all the different seasons represented in the colors of the leaves. The title song was “Returning” and was about the seasons. When I relayed the dream to Donhall, he gasped and ran off to grab a photo he had taken of a large oak. It was the same tree as in my dream and became an integral part of the cover. Some of the other images referred to other songs. I've always loved hearing people's interpretations of the cover. Everyone sees it differently. But I find that's true with my songs as well. I may have an idea when I write it, but everyone has their own interpretation, and who am I to say whether they're right or wrong. It's all subjective after all.
        Writing and recording the music was the easy part for me. Coming up with the order of the songs was much more difficult than I expected. It was a learning curve for both of us. We also had to decide what to include for the text. Then there was the layout and design. I didn't have a clue how to do that, so I hired another friend to help out with it. I hadn't realized, until working on that project, how much went into putting out an album. Because it was the first one, I also had no idea what to do with it once it was released or how to promote and launch a successful release. Now, each time I do it, I do a little better than the last and certainly better than this first one.
        The whole process was a wonderful experience from beginning to end. The CD turned out great. It was mostly original material and was well received. I still sell copies today. I love the artwork and have the original drawing framed with the CD cover and CD. It was a dream come true, something I never thought would happen. I also thought it would be the only CD I would ever make, so I cherished everything about it. It just goes to show that you never know what’s up ahead. Life has had a lot of surprises for me and continues to surprise me every day.

        As time went on, I became better on guitar and began taking my songwriting more seriously. I took a few songwriting classes and workshops, deciding to treat it as a job rather than a hobby. I can’t say that it’s brought me much financial stability, but I’m definitely more fulfilled. The more I wrote, the more I wanted to share those songs, so I started going to the Eighth Step Open Mic regularly and eventually shared the hosting job with a few other musicians. We each had our own style. It was an interesting mix. Some of us, me included, set up the PA to give folks the experience of performing with amplification and learning how to sing into a mic effectively. Others preferred to set up chairs in a circle and facilitate a round robin session, similar to the way I ran my house jams. When I hosted, I made sure to talk to everyone before they went on, finding out a little about them so I could give them a proper introduction. I also set up and ran the sound. All of this went even further toward getting me out of my shell. I met a lot of talented musicians and songwriters including many who took their music even further.
        I also started meeting other songwriters in the classes and workshops I took and learned about the craft of songwriting. Until this point, I always waited for inspiration to strike, writing randomly and erratically. Then, I took a workshop taught by Janis Ian. She kept repeating the importance of writing consistently. She recommended that we give ourselves assignments rather than waiting for that inspirational bolt of lightning. She explained that most of those songs would get tossed out, but we would get better and better. In addition to assigning topics to write about, she suggested that we also purposefully write in different styles. I have really taken that to heart as a songwriter and as a performer. I was doing that anyway with the covers I chose, so it was an easy jump to start doing it as a writer. I have to admit that I get bored listening to the same types of songs. I love variety. But I do also realize that because I don’t stick to one style, it’s held me back in some ways. It’s a whole lot easier to get gigs if you fit into one or even two categories.
        The other thing I learned from the songwriting classes was how to edit my work. I learned about the preciseness of rhyming, unless it’s purposely more freeform, prosity which is the lyrics matching the vibe of the music, and I learned to count my syllables. It may sound rigid, and it is, but it hones my songs and makes them more accessible. I also began to value input from other songwriters that I trusted. We all look at our works of art from our own skewed perspective, often not at all the way others see them. Having an outside perspective is so valuable. You do have to set aside your ego, though which is not always easy to do. And, there are always some songwriters with whom I don’t connect. I don’t particularly like their style and they don’t like mine, but they still often have things of value to offer me from their unique view. Then, there are others who I have come to depend on. I learned the art of critiquing from a summer camp I attended for a few years. There were strict rules about how to go about giving your opinion about someone’s work. For example, always start with what you loved about it. Even if you really don’t like a song, there is at least one thing you can love about it. Maybe it’s the tone, or the use of certain chords. The other important thing I learned was to not say, “I don’t like …” Instead, I learned to say, “If it were my song, I would …” All of this made perfect sense to me and resonated with my independence and my alternative school teaching methods. I began giving myself regular assignments and found like-minded people to share songs with.
        But once again, I found myself in a musical partnership where I had to fight for my songs. They were “too complex,” or “too poetic.” I soon realized that I needed to pursue my songwriting and my musical journey on my own. I was happy to continue to do gigs as Cavanaugh & Kavanaugh, but it wasn’t going to be my only thing. I even stopped asking for input on my songs from my musical partner because they never made the grade. He hadn’t taken any of the classes, never loved anything and was brutal with his criticism. Meanwhile, I was determined to continue on this path. I had put my own music on a back burner for too long. I took a course in Schenectady about working as an artist/educator and created a songwriting workshop for children. I taught that in a few schools and libraries, starting to work the library circuit during the summers. I also kept reaching out to more and more venues. One of my favorite Cavanaugh & Kavanaugh gigs was in an old railway station in Connecticut. It had been turned into an art gallery and performance space. The space was beautiful, the turnout was amazing, the crowd attentive and appreciative, and we made more money at that one gig than ever before or since.
        But, while my music career was going well, my personal life was in turmoil again. That same partner was starting to have a wandering eye. Every other woman seemed to be more attractive, smarter about everything and more capable than me in his eyes. He also started worrying more and more about money. He didn’t like to work and was miserable when he did. He often told me that all he really wanted to do was lay around on a beach all day. I wished him luck with that. Then one day, he got offered a job in the Bahamas. It was his dream come true. The job was only a few hours a day with room and board paid for in addition to his salary. I was shocked when he turned it down. He only wanted to go if I went along. I wasn’t willing to give up what I had worked so hard for to live in the Bahamas for six months. I would have to start over again. Also, I had a child in school. I encouraged him to go without me. I didn’t know if he would come back or if he would even want to be with me when he did return, but I hated seeing him so miserable. He didn’t end up taking that job and spent that winter so depressed, he struggled to get out of bed.
        Now my eldest son was getting himself in trouble again. I worried about the company he was keeping. He was stealing from us and started stealing from our roommate. Finally, he got arrested for stealing money out of a car. My heart broke when I went to visit him in jail. We had to talk on telephones through plexiglass the first few visits. Each time I visited him, he told me that jail wasn’t so bad. He was even making friends. I quickly started calling up my friends connected in the legal system to help me figure out what to do. The last thing I wanted was for him to be learning new skills and making new friends in jail. We arranged a restorative justice meeting in which the victims and the criminal face each other and work out an arrangement. Unfortunately, not all of the victims were willing to participate but it was powerful anyway. In the end, he did time in a drug rehab facility, even though he wasn’t an addict. He was supposed to spend a year there with no visitation from family or friends for the first six months. This was also heartbreaking but at least he wasn’t learning from the criminal element. He realized later that he could have spent six months in the county jail instead of more than a year in this other place. He felt duped, but I was relieved to have him out of trouble during that time. Though he did get into plenty of trouble there while they tried unsuccessfully to break his spirit.
        Then one day, he got a message to me that he was going to be volunteering, with a group of other residents, at the Holiday Lights in the Park. He was going to be dressed up as Elmo at the boathouse, greeting the younger kids. I packed my youngest in the car and off we went. He enjoyed the lights and was looking forward to getting cocoa at the boathouse. When got out of the car, I told him to go over and say hello to Elmo. He refused. I hadn’t told him that it was his brother, because I didn’t want to disappoint him if plans had changed. It had been months since we’d last seen his brother. He did finally reluctantly go over. He was shocked when Elmo gave him a big hug. When he realized who it was, he was elated. I had to caution him not to give it away because we were being watched by the house managers. We wandered off then came back again for another brief visit. It was a bizarre experience running this covert operation to connect with my son, but it warmed my heart. We were then allowed a brief visit just before Christmas to bring him gifts. Gradually, he was allowed more visits and time out, but we had to fight to get him released. After the year was over, they kept finding reasons to keep him longer. He just wasn’t compliant enough. I knew that no one was going to tame this son of mine who was as rebellious as his parents. Eventually, with the help of our lawyer and other connected friends, he was released. I breathed a sigh of relief and hoped for a respite, but there was more turmoil to come. Thankfully, throughout my entire life, it’s always been music that has seen me through the toughest times. My music was thriving.